Four of the most idiosyncratic and creative voices at the margins of jazz, imagine their way into and around the music and philosophy of Ahmed Abdul-Malik. This is music to listen, dance and think to. A new jazz record, from a new jazz band.
[Ahmed] make music about the music of Ahmed Abdul-Malik. They excavate, re-inhabit and use a-new the now overlooked documents, and fragmentary plans, of his mid-20th century synthetic vision to produce a new jazz imagination for the 21st century.
Ahmed-Malik (1927-1993) was a NYC bassist, oudist, composer, educator and philosopher. A potent(ial) influence on Coltrane and Monk (we imagine), he was also a significant composer in his own right. (Ignored into creative obscurity, he spent his final decades teaching, and performing seldom). His albums Jazz Sahara (1958) and East Meets West (1960) fuse aspects of Arabic and East African musics and thought, his committed long-term relationship with Sufi Islam, and then-modern jazz and thinking – in revolutionary and vital ways. The product is exciting, radical, raw, and beautiful.
But, as well as honouring these traditions, Abdul-Malik invented and imagined a lot*. Abdul- Malik’s straddling, synthetic and inclusive vision is one of the great projects of the imagination in jazz. He mixed sounds and ethics, meanings and beliefs in open, experimental ways without dogma.
And so do [Ahmed]. They visit and (re)think his compositions and the process potential in them. They play the notes, but use them, and the ideas in and about them, as vehicles for their unique imaginations, instrumental approaches and ideas. Through his compositions they re-imagine and re-synthesize, moving from what they know into newly creative space. They imagine themselves into the future, free of the dogma, clichés and cloy neo-classicisms of current ‘improvised music’ and ‘free jazz’.
credits
released July 26, 2017
Antonin Gerbal : drums
Joel Grip : double bass
Pat Thomas : piano
Seymour Wright : alto saxophone
Recording : Hagenfesten, Dala-Floda, Suède . August 6th 2016
Engineering : Arve Birkeland
Mixing : Patrick Petzold
Photo (cover) and design : Sven-Åke Johansson
Photo (interior) : Erik Viklund
Production : Joel Grip, Seymour Wright
Liner notes : Robert Levin
Umlaut is a music collective born in 2004 in Stockholm, which then opened two branches in Berlin and
Paris.
« Transformation of sound » is the motto around which they gathered to produce records, organize concerts, discover new artists and play music together.
The collective works to spread a music that is too rarely shared and discovered....more
supported by 13 fans who also own “New Jazz Imagination”
Despite the length and variety offered by this release, a few general techniques or patterns are present throughout. Most notable is the interaction between Thomas and Wright, with the former playing in his signature dense and percussive style while the latter provides bursts of gritty notes on the alto. Wright’s wailing is an unconventional counterpoint to Thomas’s classicism.
https://avantmusicnews.com/2024/04/06/amn-reviews-%d8%a3%d8%ad%d9%85%d8%af-ahmed-giant-beauty-2024-bandcamp/ Michael Borella
supported by 12 fans who also own “New Jazz Imagination”
Pianist Pat Thomas continues his recent resurgence with yet another release with [Ahmed]. A group named after bassist / oudist Ahmed Abdul-Malik, this is their first recorded offering since 2021’s Nights on Saturn (Communication).
https://avantmusicnews.com/2024/01/21/amn-reviews-ahmed-wood-blues-2024-astral-spirits/ Michael Borella
Drummer, composer, and producer Janek van Laak creates free and flowing jazz that highlights bold vocals and instrumentation. Bandcamp New & Notable Mar 19, 2024